MAKING returns to three previously realized projects — My DNA, Oscillation, and Mystical Creatures — not to repeat them, but to trace what remains after they have ended.

The drawings and prints were created after the works themselves. They are not preparatory sketches, but traces of something that has already taken place — an attempt to capture what continues to shift, accumulate, and vibrate.

Materials, forms, sounds, and fragments reappear in a new context. The golden stone from Mystical Creatures becomes a white stone placed within a golden niche. The gesture remains the same, yet it is already something else.

MAKING asks when a work of art truly ends — and whether the trace it leaves behind might become the beginning of the next one.

Only the gaze changes.
And the world after it.

MY DNI