AROSITA GALLERY
MAKING returns to three previously realized projects — My DNA, Oscillation, and Mystical Creatures — not to repeat them, but to trace what remains after they have ended.
The drawings and prints were created after the works themselves. They are not preparatory sketches, but traces of something that has already taken place — an attempt to capture what continues to shift, accumulate, and vibrate.
Materials, forms, sounds, and fragments reappear in a new context. The golden stone from Mystical Creatures becomes a white stone placed within a golden niche. The gesture remains the same, yet it is already something else.
MAKING asks when a work of art truly ends — and whether the trace it leaves behind might become the beginning of the next one.
Only the gaze changes.
And the world after it.
THE HESITATION
2026
THE HESITATION is an interactive installation consisting of plexiglass panels with a personal visual code, four woven sound panels, and stone structures — a still presence within an environment of constant oscillation. Movement, touch, and sound continuously transform the work, while the stones remain its stable counterpoint.
The work explores the fragile balance between stability and change — the moment when a movement, a touch, or a sound can alter the whole.
In MAKING, “Oscillations” appears again, but only through the sound panels and with new sounds. The process of change, which was part of the work from the very beginning, continues.
MY DNI
“Ecology and Technology”, National Museum of Natural History, Sofia, 2025
“My DNA” brings together the materials I work with in the form of a personal code.
Over time, they have transformed from a medium into part of my identity and the way I think about art. The mirror at the base extends the structure beyond what is visible.
In MAKING, I return to this work through drawings created after it. Not to repeat it, but to see what remains of this personal code and how it continues to shape the way I think and work today.
MYSTICAL CREATURES
Part of “Everything We Do”, Nine Elephants, Botanical Garden – BAS, 2026
“Mystical Creatures” is a route through the Botanical Garden where the real and the imaginary overlap. Traces of mythical creatures appear among the plants as signs of the invisible — something humans have always searched for in nature. The golden stone is part of this route: a natural object whose meaning is transformed through human intervention.
In MAKING, the stone appears again — this time white, placed in a golden niche. The object changes, and so does the way we look at it. What was once part of an imaginary world returns as a question about the way we transform the real one.
